(Source: Irish Times)

By MICHAEL VINEY
ANOTHER LIFE: NOW THAT autumn seems bent on sliding seamlessly
into spring, it can take half the winter for some plants to slow
down. My morning trips to the raingauge wear a deepening trail in
the grass. But most wayside plants, I am pleased to see, are still
crumpling on seasonal cue, retiring to rest in root-buds, rhizomes,
belly-button rosettes.
Everything gloriously blossoms again, however, in two new books
among the Christmas offerings, both of them county floras with
appeal and importance far beyond their borders. John Feehan's The
Wildflowers of Offaly (Offaly County Council, [euro]40) and Tony
O'Mahony's Wildflowers of Cork City and County (Collins Press,
[euro]29.99) are weighty, handsome hardbacks, funded jointly by
their local authorities and the Heritage Council - an uplifting
enterprise, given the times.
Neither book should be confused with flower identification guides
- in different ways, both are enriching, eager works of botany. One
offers deep acquaintance with the flowers themselves, the other is
more conventionally concerned with where they grow and how they're
faring.
John Feehan, UCD ecologist and writer, has his home in Birr, and
lifelong devotion to his county's great outdoors shines through his
images (the wing petals of the early marsh orchid "are held at the
angle of a hovering kestrel"). Much of his book - packed with fine
photographs and illustrations - is all about looking (with a hand-
lens, if necessary) at the inner world of flowers: the ingenious
anatomy, architecture, engineering that give each plant its
individual "personality" and serve its constant changes, from
budburst to pollination to the ripening and launching of seeds.
Once, painting a vase of nasturtiums over a period of a day or
two, I was quite disconccrted by their insistence on shuffling
around with the light. "The life of a flower," writes Feehan, "can
be compared to the movement of a ballerina in slow, slow motion"
and, like Darwin, he has clearly spent many hours, even days,
observing some exquisite choreography.
"What happens next," he writes, as Herb Robert ripens its seeds,
"is well worth the patience required to observe it" - whereupon,
slowly stretching five catapults, the plant sets about firing its
progeny for six metres or more.
Such up-close-and-personal engagement with flowers is enriched
from the studies of Darwin and other great botanists of the past.
Some of them were prompted by the explorations of herbal medicine,
and Feehan, like Tony O'Mahony, attends to those uses and
traditions. Both authors describe many of the non-native flowers
that have naturalised in Ireland - but it is O'Mahony who gets
really upset about some of them.